So a day early maybe but it looks like the specs for the all new Canon 5D Mark III (3) have been leaked and they look perfect to my eyes. Gone is the frankly appallingly poor focusing to be replaced with 61-point high-density reticular AF, I don’t even know what is but it sounds fantastic especially as 41 of those point are cross point, to the 1 that is cross point on the current 5D Mk II.

Fingers crossed it will be available in the early part of 2012 and we won’t be waiting months to get out filthy mits on the camera. Everything on the spec sheet looks good to me, no omissions, no stupidly high pixel count and they haven’t gone all super video and forgotten about the real photographer. So it will be launched across the planet tomorrow the 2nd of March and hopefully it won’t have a silly price tag.

So here it is in all of its glory the full spec sheet for the all new Canon 5D Mark III, I can’t wait to get my hands on a copy, I might even treat myself.

Unsurpassed Image Quality
22.3 Megapixel Full Frame CMOS sensor
DiG!C 5+ Image Processor
ISO 100-25600 (expandable to L:50 H1:51200, H2: 102400
Full HD Movie (ISO 100-12800 (H:25600)

High Performance Operation
61-point high-density reticular AF (up to 41 crosstype points)
6.0 fps for high continuous shooting
Intelligent viewfinder with approx. 100% coverage
3.2-type, approx.1.04m dot (3:2 wide) Clear View LCD II
iFCL metering with 63-zone dual-layer sensor
Shutter durability of 150,000 cycles

High end features
Silent & low vibration modes
Dual card slots (CF & SD)
High Dynamic Range (HDR) Mode
Multiple Exposures
Comparative Playback function
Improved durability & water and dust resistance

SPECIFICATIONS
Available Colours – Black
Megapixels – 22MP
Sensor Size – 36 x 24mm
ISO/Sensitivity – 100 – 25600
Autofocus Points – 61 points
Lens Mount – Canon
LCD Size – 3.2?
Liveview – Yes
Viewfinder – Optical TTL
Min Shutter Speed – 30 sec
Max Shutter Speed – 1/8000 sec
Continuous Shooting Speed – 6 fps
Self Timer – 10 sec, 2 sec
Metering – Centre-weighted, Spot, Evaluative, Partial
Video Resolution – Full HD 1080
Memory Type – Compact Flash
Connectivity – USB 2, HDMI, Mic Input, Wireless (optional)
Battery – LP-E6
Battery Type – Lithium-ion
Charger – Includes Li-Ion Charger
File Formats – AVI, RAW, H.264, MOV, MPEG-4
Dimensions – 152 x 116 x 76mm
Box Contents – Battery Pack LP-E6 .. Battery Charger LC-E6 .. AV Cable AVC-DC400ST .. Interface Cable IFC-200U .. Eyecup Eg .. Wide Strap EWEOS5DMKIII .. CR1616 Lithium Battery+

So I’ve had my trusty Fuji F30 for quite a while now but what replacement should I get and more to the point do I really need to  replace it?

The reason that I was so attracted to the F30 when it was launched was its stunning low light ability, at the time people were comparing it to SLR’s. It was never as good as the SLR’s lets be honest but it was way better than just about any compact camera that was on sale.

So this time around I think that a good sensor and thus great low light ability has to be top of the list, I’d like a longer reaching and wider lens greedy I know and potentially some nice HD video.

The contenders

• Panasonic LX3
• Canon S90
• Canon G11
• Sony DSC-HX5V

Well firstly I think I will clarify some of my requirements, I don’t want it to be too big, I’ve got an SLR to take full on shots, if I want to take those that will be with me, so it needs to be able to fit in my jeans pocket.

First to GO

That has to be the G11 then, its a great camera that ticks just about all the boxes but its just to big for what I want. I hear that the G11 is going to be the last in the G series range and it will be re-launched as an all new model with a complete re-design. I personally don’t think it needs to be as big and clunky as it is, many other cameras can do the same for much less size admittedly without so much control but maybe they have something new up their sleeve on that front.

Seconds out

Next to go is the Panasonic LX3, I don’t know why but its never really floated my boat. When I handled it I wasn’t too happy with the bulge on the front to contain the lens or the need to have a lens cap, I mean why surely a little shutter wouldn’t have been that hard would it.

Secondly the camera fixed the lens’s distortion for you which isn’t bad I guess I mean who needs a photo showing lots of barrel distortion, but then you aren’t getting the full shot for it to do this. So if you do shoot really wide and it does go fairly wide but it doesn’t go very long. The lens is nice and quick though at F2 when wide open, but ultimately this isn’t the camera for me, plus it must be due and update soon surely.

So its down to the Sony HX5 or the Canon S90

This is going to be tough, both of these cameras have their pro’s and cons.

Canon                                Sony

Lens         28-105 F2-4.9           ¦       25-250 f3.5-5.9

Sensor    1/1.7″ Type CCD        ¦       1 / 2.4 inch “Exmor R” CMOS sensor
10 Mpix                                10.2 Mpix

Screen    3.0″ 460k                      ¦       3.0″ 230k

Video      640 x 480 @ 30fps  ¦       1920 x 1080 50i AVCHD format

So the specs so far aren’t that much different, the Sony sensor is smaller but it is back lit so the photo sites are a similar size or possibly larger. The Lens is a different matter, do you want the long 250 or the super fast f/2 or the Canon, its a tough choice to say the least.

The Sony also has some pretty funky modes, like an auto panoramic mode, sweep the camera across the horizon and hey presto a panoramic shot. It also has a clever low light function that quickly takes 6 shots, merges them together and creates stunning hand held low light shots, or at least so some of the forums are saying for the existing model.

However when it comes to control the Canon probably has the nod, if you know what you are doing with a camera then you want to be able to control things and this is something the Canon does very well. From the unique wheel on the front of the camera to modes to control aperture and shutter priority it really excels at allowing full control over what you are shooting. But it appears that the old Sony doesn’t seem to have much control at all, fingers crossed they have realised this isn’t what people want form a top of the range camera and adds some more.

The Sony also has a GPS sensor, no I don’t know why more cameras don’t have it either especially SLRs but hey ho it seems camera manufactures can be a bit slow.

So which one would I go for?

Well that is a tough one, compact cameras are a funny thing. The Canon has a good sensor and a good lens, it is f/2 after all but then it is meant to have lots of distortion and it doesn’t really go that long. And what is that video mode about, 640×480 I had on a 3 year old mobile phone let along a top of the range compact camera. The extra potential adjustment and one thing I haven’t mention yet the ability to capture RAW is a big bonus.

The Sony does however have the newest feature set and do I really want to use a compact camera to shoot RAW or just get it out to take quick family shots, Mmmm this is a tough one indeed. The video mode will embarrass some Camcorders so that gets it a big vote and some of the clever features would be useful.

I’ve already seen some comparison high ISO shots of the same test scene and the Sony took the nod surprisingly but it was quite close. I think its a draw at the moment and I will see what the results of some of the reviews are and see a few more shots. I’d be interested to see if the control issues have been resolved and how sharp the lens is.

Either way both of these cameras are great, if only one could be created that merged best parts of both I’d be very happy indeed.

UPDATE

Well only a day after I’ve posted I might have found the camera and its not one of those already mentioned. Its the all new just announced Samsung TL350 or WB2000 depending on the market. So what makes this the potential choice I hear you asked.

Well its got a nice big 10Mpix 1/1.7″ sensor, a fairly quick f/2.8 Schnider lens at a super wide 24mm and it also goes all the way to 120mm at full zoom, so far so good. As for movie mode, well what can I say its got HD video at 30fps and even a very low resolution 1000fps slow motion function, a bit pointless but the HD video certainly isn’t.

Its also got a nice AMOLED screen with 640,000 pixels, so nice and high res. Its got a few other nice features like a panoramic mode and you can also take 10mpix images in the middle of taking a video, things are looking good.

But I’ve left the best bit till last, it can take photos in RAW and, it has fully manual controls hallelujah, why others don’t on a top end camera is a mystery to me. On and look at the power and memory meters, a nice little analogue dial, nice and retro.

So this could be it, will have to see what the image quality is like first and then make a final decision.

Well its been rumoured for a good while but Canon have eventually updated the long standing 70-200 f/2.8 IS. So what’s change?, well not a lot really. They have added some extra UD glass and updated the optics which is the main thing. They have also added the new 4 stop IS system replacing the old 2 stop that was originally fitted.

In terms of weight and size there is very little difference, the new lens is only 20 grams lighter which is welcome but hardly revolutionary for 9 years worth of lens advancement. Its got updated controls with a wider focusing ring and better weather sealing to bring it up to the latest standards as well.

But the frankly shocking thing is the price, in the UK its MRRP is £2700, compared to the current retail price of about £1400 (way up from last year but that’s currency fluctuations for you)  the new lens is almost double the current lens. Personally I think unless it comes down a lot when it hits the retail stores I think Canon are getting a little greedy on the profits front and they need to wake up and smell the coffee. Canon have lost a 15% advantage in market share over the last 3 years if this carries on updated lenses or not they aren’t going to keep and lead at this rate.

Full Press release and Detailed specification below

5th January 2010 – Canon today adds to its acclaimed L-series with the launch of the new EF 70-200mm f/2.8L IS II USM telephoto zoom lens. The lens launches as the successor to the immensely popular EF 70-200mm f/2.8L IS USM, offering improved performance in every area.

True to the L-series’ heritage, the EF 70-200mm f/2.8L IS II USM delivers optical excellence in the most challenging situations. As well as a revamp of the internal optical system, the lens has also been structurally re-developed as a direct result of user feedback, making it as robust and reliable as it is optically advanced.

“Reuters’ photographers have used the EF 70-200mm f/2.8L IS USM for a number of years and it allows photographers a great level of flexibility,” said Reuters Production Editor Kevin Coombs. “The focal length, fast aperture and Image Stabilizer all contribute to it being a workhorse lens and you’ll find it in many professional photographers’ camera bags. I’m very much looking forward to seeing the improvements offered by the EF 70-200mm f/2.8L IS II USM.”

Premium quality, premium performance

The EF 70-200mm f/2.8L IS II USM features a re-designed optical system, consisting of 23 elements in 19 groups to deliver truly impressive results. A high-performance fluorite element is used at the heart of the lens path, coupled with no fewer than five ultra-low dispersion (UD) elements, drastically reducing chromatic aberration throughout the zoom range to produce high contrast images with edge-to-edge definition.

A high-speed Auto Focus (AF) system perfectly matches the abilities of the recently-launched EOS-1D Mark IV and EOS 7D Digital SLR (DSLR) cameras. The new model also features a ring-type USM AF motor, which combines with a new high-speed CPU and an optimised AF algorithm to make auto focusing both faster and quieter.

A reduced minimum focusing distance of 1.2 metres (3.9 ft) and improved 0.21x magnification will allow photographers to get closer to subjects without needing to swap lenses – greatly benefitting time-pressured news and events photographers who require flexibility. An updated Image Stabilizer mechanism also offers a shutter speed advantage equivalent to four-stops, reducing the effect of image blur resulting from camera shake in busy shooting environments.

Enhanced design, exceptional ease of use

As well as an update to the internal construction, the EF 70-200mm f/2.8L IS II USM features an enhanced external appearance to improve lens operation. The thickness of protruding exterior parts and switches has been significantly reduced, guarding against accidental switching and creating an improved overall look. The rubber focusing grip has also been redesigned and widened; with finely-patterned grooves making it easier to manually focus.

Being an L-series lens, the EF 70-200mm f/2.8L IS II USM is fully weatherproof, making it ideal for use in all weather conditions. The mount, focus mode switch and focusing ring all feature a completely dust and drip-proof structure, preventing dust or water from getting inside the camera and lens when used with accompanying weatherproof EOS bodies. The lens has been designed to stand up to the daily wear and tear of professional usage, making it a highly durable, reliable lens for use day-to-day by professional photographers.

High quality L-series accessories

The EF 70-200mm f/2.8L IS II USM is supplied with several accessories, including the new ET-87 Lens Hood and the Ring-Type Tripod Collar B (W). A brand new Lens Case LZ1326 is also included as standard, offering quick and easy access when users need to switch lenses in time-pressured situations.

Compatibility with a range of optional Canon accessories also allows users to pair the EF 70-200mm f/2.8L IS II USM with the Lens Extender EF 1.4x II, Lens Extender EF 2x II, Extension Tube EF 12 II, Extension Tube EF 25 II, and 77mm filters.